Winner: Gary Leddington – Shenandoah Special
Troy Vigil – TEE ROY TEES
Derek Workman – The Kalahari Review
Winner: Gary Leddington – Shenandoah Special
Troy Vigil – TEE ROY TEES
Derek Workman – The Kalahari Review
Greg Fitzsimmons’s “Life on Stage”
Originally published on Comedy Reviews
I knew I liked the new CD from Greg Fitzsimmons, “Life on Stage,” but it wasn’t until I found myself slipping his anecdotes into my everyday conversations that I realized just how much it stuck with me. Granted, I don’t try to pass off his material as my own but I am pretty sure people are getting sick of hearing me start off every other sentence with the phrase, “Ya know, I was listening to this comedian the other day…”
What can I say? If Fitzsimmons wasn’t so simultaneously accurate and humorous with his observations about insurance and the fact that it’s really just legalized gambling (“I bet I die.” “I bet you don’t.”) and the glass half-full way of looking at debt (It just means you had more fun that you were supposed to), then maybe I could start relying on my own wit to get myself through social interactions. Fortunately for people like me who depend on the insights of others to inject humor into discussions, he doesn’t show any signs of letting up.
Like it says in the old adage, what Fitzsimmons has to say is funny because it’s true. The countries with the most water really are the most powerful and the way we seem to flaunt it really is a little over the top. While arid societies struggle and their inhabitants walk two miles in sandals for a bucket of drinkable water, we’ve got theme parks devoted to sliding down it, we throw our extra money in it, and then we go home and poop in it. Take that, third world.
Fitzsimmons proves how good he is at working off-the-cuff when he ventures into the audience to play the game at which he is remarkably skilled, “Guess the Asian.” His foray leads him into a bit on Hawaii that is so good, it shows he’s either really really good at improvising or he’s got a great bit tucked away, hoping he’ll bump into someone from the Pacific paradise so he can use it.
For every nugget of truth Fitzsimmons doles out (If someone who can’t speak the language can steal your job then maybe you suck at your job), he’s also got some ideas that are…well, they’re pretty unique. He makes a strong case for not getting glasses when you get older, reveals how to get a man to do ANYTHING YOU WANT, wonders why we rescue dogs but not the homeless, and strongly believes no woman should leave an abortion clinic feeling ashamed (You just won a million bucks!).
There is a friendly playfulness to Fitzsimmons’s delivery that softens the blow of his ideas, even when they push the envelope or dip into “blue” territory. He’s not mean-spirited or angry and because he’s smiling when he gives his explanation of life, you feel free to laugh without worry of who might walk into the room. True, it’s not exactly life as described in the BBC television series, but life as seen through the filter of a very funny man.
FitzDog Radio – Paul Scheer
Originally appeared on Splitsider
MARC: Regardless of how busy he gets in television production of late, Greg Fitzsimmons delivers a consistently entertaining podcast. His recent visit by fellow comedian and podcaster (as well as TV producer/actor) Paul Scheer is a model for how to have a great chat. The fact that these guys know each other (“We’re friends but not GOOD friends,” jokes Fitzsimmons early on) and they both have learned what makes good podcasting certainly helps. The smooth way that they move from topic to topic in the course of the hour and twenty minutes show should serve as an example of how to have a conversation rather than an interview. There’s no stilted rhythm of question-answer-question-answer that’s become the hallmark of the creaky late night talk show. While both are sounding off about current topics, Fitzsimmons casually pulls answers out of Scheer that reveal things about his upbringing and history, while Scheer is able to do the same with his host. And with two comedians, both in command of the medium, their visit is consistently funny as well.
Emmy Award Winning Writer and Comedian Greg Fitzsimmons @ Helium: November 8-9
By Colleen T. Reese, on November 5th, 2013
Originally appeared on WitOut
I like people who can wear a chip on their shoulder like a badge of honor. Your grievances and grudges are what make you interesting. Why not own them?
So it’s not especially a stretch to say that it’s easy for me to love Greg Fitzsimmon’s first hour long special, Life on Stage. An award-winning writer, producer and stand-up comedian, his comedy unabashedly explores social and familial constructs. While seemingly provocative, Fitzsimmons is playfully clever in his approach to unearthing the absolute absurdity that is so often prevalent in modern American life.
You can catch him in Philadelphia November 8 and 9 at Helium Comedy Club. WitOut caught up with Fitzsimmon to talk about Life on Stage, podcasting and the past year (sort of) on the road.
WitOut: You’re out in LA now, right?
Greg Fitzsimmons: Right. I’ve been working in New York. I took the weekend off to come home for Halloween and Trick or Treat with the kids.
WitOut: How was Halloween?
Fitzsimmons: Great. It was very cute. We did trick or treating on one side of the neighborhood, changed costumes and then did the other side. My son is 13 so he’s off with his boys. You know, a real teenage party. I think that was his first one.
WitOut: I’m sure they just sat around and did their homework.
Fitzsimmons: They’re really on the edge. I don’t think they’re doing anything that wrong yet but they’re definitely thinking about it. They’re ready for it. They’re only in the planning stages.
WitOut: You’ve been all over the place this past year. How is tour?
Fitzsimmons: It’s not so much a tour as it is going out to places on the weekends, in between working on the show. This past year, I’ve definitely been on the road a lot doing shows to promote the special. But it’s been a lot of TV stuff. I was executive producer on another show earlier this fall and then just banging out these podcasts twice a week and a radio show once a week. It’s pretty exhausting. I haven’t had a moment.
WitOut: What show are you currently working on?
Fitzsimmons: I created a comedy talk show pilot for FX with this guy Josh Topaulski, who has a website called The Verge. It’s kind of a Daily Show format.
WitOut: How did podcasting make its way into your mix?
Fitzsimmons: Well, I was doing the radio show for just an hour. I was getting these really great guests and all of the sudden, the hour would go by so fast. So, my producer said that we could do another hour and put it out as a podcast. We did that for awhile and people eventually wanted more than one a week. I was on the road a lot of weekends so I started doing from the green room in clubs and now I pretty much just record interviews with people during the week. I’ll try to bank a few and then put those out.
This past week, I sat down with Colin Quinn and at the end I said to him, “How often do you and I get to sit down and talk, uninterrupted for two hours?” It’s very rare. It’s great. I think it started out casually–and it still feels casual– it doesn’t feel like a job. Now there is all of this advertising coming in, which is really just found money.
WitOut: It seems like you have you hands in a lot of different things. You have stand-up, podcasting and radio. You have your book [Dear Mrs. Fitzsimmons: Tales of Redemption from an Irish Mailbox]. Does it feel different from when you were doing just stand-up?
Fitzsimmons: No. When I started doing stand-up, my Father was really supportive of me. He said, you know, just make sure you write. Write a lot. I think that he knew that it was going to be a tough business and that writing was something that I could always–I wouldn’t say fall back on, but something that I could do in conjunction with stand-up. I’ve always been focused on it.
I’ve always been doing something else. After I did stand-up for a couple of years, I moved to New York and did a two year acting program. So I did that and went out on the road on the weekends. Then I moved to LA and auditioned for acting stuff. I never had any luck but I did it a lot for awhile.
There have always been different directions that I was going in. When my son was born, I started writing for TV so that I could be around more. That’s been twelve years or so in between writing, doing stand-up and hosting stuff on TV.
On a good day it feels like, yeah, you have your hands in a lot of things. On a bad day you feel like you’re being pulled in too many directions. In this business, it’s a pretty good way to keep your sanity–to be able to not have all of your eggs in one basket.
WitOut: A lot of your new special deals with parenting, social class and race. Your kids go to school in LA and so you’re definitely surrounded by a lot of that. Can you speak to us about where that material comes from?
Fitzsimmons: I grew in New York and my Dad was a radio guy. He was very liberal. Very outspoken. Our family’s identity is very, I think, Kennedy Democrats. And I grew up in a place that was very economically and racially diverse.
My kids are in a Spanish Immersion program at a public school in LA. My wife grew up in the city in New York. We try to replicate something that has that same kind of diversity and we’ve been really luck with that. They’ve got a school that has very committed parents and the kids are great. At the same time–not to put down private schools–your kid can get a false sense of feeling like they’re the greatest fucking thing that has ever been born. I want my kids to feel like pieces of garbage that have to work their way out of it for the rest of their lives. That’s the drive they need.
A lot of my material comes out of guilt. I think I feel a certain white guilt with how fortunate I’ve been. Stand up, to me, is about what are you thinking about, what makes you uncomfortable or angry, what is it that you can’t wrap your head around. For me, social class seems to be one that is just illogical. It’s the fabric of every society.
WitOut: What about the book? Is it a product of that guilt or is a way for you to kind of wear your mistakes on your armor?
Fitzsimmons: I was an English major in college and I had been writing my whole life. I wanted to write a book since I was five years old. I finally felt like I had lived enough to warrant writing a book about my life. It feel like there are two very different sides of my life and I wanted to explore that earlier part of my life. I wanted to show how it affected the second half.
I grew up very rebellious. The first half of my life, there was a lot of drinking and drugs, fighting and womanizing. It was very different from what my life is today. I just wanted to have fun and go down that road. It ended up being much more deeply about my relationship with my father.
My intention was probably much lighter than what the actual process ended up being.
WitOut: We know that you had a complicated relationship with your Father. Does talking about it so publicly affect that?
Fitzsimmons: He actually died 20 year ago. In a weird way, you still have a relationship with the person. I think about him a lot. I think my kids feel his presence in a way. It didn’t end on good terms, really, and that’s sad.
WitOut: Does talking about it help your reconcile with that?
Fitzsimmons: I guess. On some levels, it is. I wish that I could I was that mature and that it was all reconciled. I’m still like a little baby. I definitely have more understanding [of him] now as a parent.
WitOut: You’re coming to Philly on this week. Are you looking forward to coming over here?
Fitzsimmons: (Laughs) Oh my god. Your voice just went up an octave when you asked that.
Yeah! I love Philadelphia! I think Philadelphia is great. It’s one of the few cities that I really enjoy getting up and walking around. The crowds are awesome. They’re really down to earth. There is that Italian-Irish thing there, which is always kind of rowdy and blue collar. It’s fun.
I’m on the couch next to my 9-year-old daughter JoJo while she watches “Pair of Kings”. Five hours ago she was lying face down in a park in Santa Monica about 100 yards from where a lunatic opened fire. It was a field trip just a block from her school where the kids were supposed to be having relay races and eating watermelon to celebrate the end of the school year.
A lot of kids got hysterical as teachers yelled at them to stay down. My daughter stayed cool and actually comforted some of her friends. My wife was chaperoning the picnic, and when JoJo found her she couldn’t keep it in. She cried that she wanted to go home and a little while later threw up.
The teachers did what great teachers do: they took control and got the kids into the community center where they distracted them with games. Balancing the protocols of a high-alert situation with the sensitivity those children needed at that moment is a tall order. Towards the end of the four-hour lockdown, with choppers beating overhead, Mrs. Salmaggi taught the kids to do ‘The Hustle’.
I put a lot of trust in my kid’s teachers. They mold them and inspire them every day and on certain days they do more; they make them safe. We cannot do enough to develop and maintain great public school teachers, as we demand more and more from them. When I finally got to hug my daughter I was dizzy with gratitude, much of it towards these teachers who stepped up made things seem normal when they were not.
My kids asked if I’d make pancakes and smoothies for dinner and JoJo wants to stay in the house for the rest of the weekend. I asked her what we’d do all day and she said we could play Rummy Cube and watch “Dumb and Dumber”. She also asked if we have the music for “The Hustle”.
It’s going to cost us approximately $30,000 to raise the money we need to file the challenge. We’re raising that money here (http://www.eff.org/save-podcasting).
We’re looking for “prior art” (publications that disclose similar or identical ideas to those in the patent). In this case, we need to find publications from before October 2, 1996. The “ideas” in the patent essentially include any sharing of episodes over the Internet.